Crafting & Art

While The Dust Flies In The Laundry Room…

This isn’t as exciting as our big laundry room reno (nothing is!) but let’s talk about curtains for a second. Remember when our bedroom was all naked and afraid? (Sidenote: if you’re not watching that show, you should be).

We added frames and hung curtains at the same time, but it took us way longer to actually finish said curtains. We knew we wanted nice white linen-like ones for our dark-walled bedroom, and had heard a lot of good things about the Lenda curtains from Ikea around blogland (they’re their nicer/thicker white curtains with a convincing linen-looking weave, as opposed to the cheaper/thinner/breezier ones we’ve tried in previous houses). After seeing – and feeling – them in person, we were sold.

We also grabbed some nice substantial curtain rods from Lowe’s along with some nice big ring hooks (the same ones that we used in Teddy’s room).

They didn’t look so great when we first hung them after washing and drying them (to account for shrinkage), which is why we moved on to our little frame project (and asked you ignore the curtains while posting about that).

Once we finished with the frames, I turned my attention back to the curtains and slowly (as in, it took me a month to finish them) got ‘em done. First I took them down one by one and ironed them. I also removed the tabs at the top, so we could clip them more cleanly to each panel. See how it looks floppy and folded over in the one that’s hanging below? No bueno.

Just ironing them and removing the tab tops made a big difference. We also realized that they looked nicer when they were less pulled out/wide. That’s right, after years of practicing hanging curtains “high and wide” to give the illusion of bigger windows, it felt odd to like the look of tighter, narrower curtains – but it really gave these curtain panels a cleaner and fuller look.

The last thing they needed was a bit of a hem on the bottom, so after three weeks or so of being almost-but-not-quite done, I took to my sewing machine to make a nice thick hem (around 4″).

Here they are after. So. Much. Better.

I just want to rehang the curtain rods a little closer to the windows (nothing a little spackle and paint can’t solve).

Oh and one more tip is that when I hung them I sort of trained the fabric to alternate the direction of the loops with the rings (between two rings I’d train it to swoop out and between the next two rings I’d train the fabric to swoop in). That created a nice shape that I could follow down the rest of the panel for that drapey look. The professionally made curtains at the showhouse had that shape to them, and we really liked it. They felt so polished and tailored. Here we use faux white wood blinds for privacy, and the showhouse has plantation shutters, so in both cases the curtains are purely decorative (so they’re not drawn closed and can keep that shape).

Speaking of the professionally made curtains we got for the showhouse, we’re actually debating getting some made for our office. We know it won’t be as cheap as buying fabric and making our own (or grabbing pre-made ones by mass retailers) but we really loved how the showhouse ones turned out, and we conveniently met a seamstress through that process that we can use. We actually debated using her for bedroom curtains, but we figured white linen looking curtains were easy enough to find, so we’ll save her talents for a more not-readily-available result, like office curtains in one of these fabrics:

We ran through our favorite local fabric store (U-Fab) to grab these swatches. We love all of them for different reasons, so we’re still simmering on which one to go with. The patterned ones feel a little busy when we hold them up, and although we thought we’d love the emerald green or the orange ones for being a little different than our usual choices, they both felt sort of thicker/heavier than we expected when we put them next to the window.

Our favorite of the group is probably the top right swatch, which we only realized after holding them all up is the same fabric we used for the window treatments in the master bedroom of the showhouse, so while it feels sort of anticlimactic to go with the same thing at home, it’s also nice that they’re pre-vetted and we know we love them (and that they drape beautifully).

We’re not 100% sold on it yet though, so we’ll keep you posted when we make a decision. Sometimes I look into the office and think leaving the windows bare might actually be beautiful…

We also made a few curtain updates in Clara’s room, since we both had some issues with how hers had been looking. I thought the pattern was competing a little too much with the bold rug and the playful raindrop painted wall, and  Mr. Function (John) didn’t like how the blackout curtains, which were clipped behind each breezy panel, made them feel a little bulky when we slid them open and closed since we hadn’t ever sewn them together. Plus, the thin rod – a carryover from our last house – was starting to sag.

They actually photograph better than they look in person (photogenic curtains?), but in real life they felt a little more demanding and messy looking. So while in the midst of hanging Clara’s new light, we tried two things: flipping the panels backwards (the pattern was more muted on the other side) and removing the blackout curtains (which we’ve been considering weaning Clara off of anyways). They immediately felt less bold and heavy.

So I took them down and I sewed a hem on all four sides of all four panels (16 hems!) so that hanging them backwards looked more finished. For a second I worried about how bad the bold circles might look from the street with them drawn, but realized that since we close the blinds before pulling the curtains closed, they’d never be visible from outside – and since we removed the blackout panels we probably would just shut the blinds and leave the curtains open anyway.

Rather than rehanging them on those thin, sagging curtains rods; we took the opportunity to upgrade those too. We went with white wood ones from Lowe’s so that we no longer had a dark metal line cutting across the top of each window. That’s a look that we like almost every where else, but Clara’s room is so light and playful that it felt oddly heavy and out of place in here. As soon as we got the white rods up, they felt great.

I was waiting for one of you eagle eyed readers to notice the rod change/curtain flip in Clara’s light post, but nobody did! To be fair, we hardly showed them, so here’s a nice full view for ya. We’re still not certain they’ll be Clara’s forever curtains, but we’re both liking them much better, and it was a zero dollar change other than the rod upgrade (they’ll stay no matter what curtains end up there someday).

Oh and as for the length in here, John was adamant that ours be floor-length in our bedroom (he likes that look best) but agreed that a little loose pooling action on Clara’s floor would be ok for these. I think that casual french vibe goes well with her Belle-looking chandelier.

The best news of all is that so far our fears of ruining Clara’s sleep habits without blackouts have been unfounded. She’s still taking good naps in the afternoon (which is when the sun hits her windows the most directly) and isn’t waking at sunrise like we worried she would. Turns out those white faux-wood blinds do a pretty decent job at blocking light on their own, so they seem to be just fine without blackouts backing them up.

There you have it. A whole lot of hem-sewing, some new rods, and some curtain considerations for the office. Now it’s back to laundry room stuff (today we’re re-routing vents, which sounds about as exciting as it is – but next is drywall!). Until then I’ll be daydreaming about what curtains we’ll hang in the future bunk room someday and trying not to duct tape my fingers together.

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Photo Finish

Our master bedroom has moved leaps and bounds over the last few days in terms of not looking like a big empty room with a bed in it. And by leaps and bounds, I mean frames and curtains. And more frames. Plus a few more frames after that.

 

Before we started putting a bunch of holes in our walls, this is what the room looked like (and what it has pretty much looked like since we painted it nine months ago). It was in desperate need of curtains at the very least, but we’re not done with those yet, so just ignore those and let’s talk about the frames.

 

We had long talked about doing a gallery wall over our bed, and after stewing on it for a few months we decided we wanted to go with big dark frames (gasp! not white ones?!?) with nice mats. We have a gradual goal of amassing nicer frames in the house as we go (some real wood ones with nice big mats with glass and not plexi) so after shopping around at a few frame places, these large wood ones from Michaels fit the bill best. At $39 each for the biggest ones and $29 for the slightly smaller size, they weren’t cheap – but thanks to a two-for-one sale, it took the average down to $15 to $20 each, which is closer to what we spend for cheaper frames of that size.

 

Once home with our original frame haul, Sherry cut a bunch of templates out of leftover rosin paper that we had from projects like this and this, and we taped up a rough, mostly-symmetrical arrangement.

 

Neither of us was totally sold on it. It just felt a little too perfectly lined up. So Sherry took a stab at loosening up the rows and columns a bit. Kinda the gallery wall equivalent of unbuttoning the top button of your dress shirt. It instantly looked more relaxed and casual than the more formal/balanced arrangement that we had tried first.

Next it was frame-hanging time. Considering the number of them (at this point we had 17), it wasn’t too bad. These frames hang nicely on one or two nails each (there’s a groove on the back lip of the wood frame) and since we had worked out their placement with paper templates it was pretty simple. Since the arrangement is somewhat mirrored from one side of the bed to the other, we used a laser level to make sure the frame on the left side was at the same height of its sister on the right (and we used a yardstick to make sure our side-to-side gaps between frames were about the same).

After we got the initial set of frames hung, we liked where it was going… but the whole thing was feeling a little too much like a stripe across the top of the bed, so we picked up five more frames to fill the space above each night stand for more of a full-wall-of-frames look. So when it was all said and done, we purchased five of the larger frames (they’re 11.5 x 14.5″ with an 8 x 10″ opening in the mat) and seventeen of the slightly smaller 16.5 x 16.5″ size (some of which had 8 x 10″ openings and some that had 5 x 7″ openings). Note: We later realized that the bare spot on the top left (by the curtain) felt off to us, so we inched a few frames around to make it more balanced looking (you’ll see that tweak three photos below this one).

Although we’re big fans of putting just about anything in a frame, we had been looking at our family photos and realized that we had a lot of special-to-us photos that we wanted to properly frame, so a wall of family photos was the goal here. It felt especially right for a more personal space like a bedroom, and we had never seen many of these photos printed out in a nice large size like 8 x 10. So we picked a bunch and placed an in-store pickup order on Target’s website (which we discovered was cheaper for 8 x 10s than our usual go-to, Shutterfly).

Here’s everything all framed up. We really liked going with colorful prints instead of black and white ones, especially on such a dark wall. They’re a nice balance of classic/handsome (wood frames & crisp white mats) + cheer (colorful family photos). And we like how the bolder prints tie into the colorful pillows and our headboard.

The process for picking photos was pretty straightforward: we scrolled through our family photo folders in iPhoto (we have one for each year, ordered chronologically) and flagged our favorites. That produced WAAAY too many options, so we whittled it down to the 22 we needed by choosing favorites from the favorites (for some reason it’s easier for us to pick top choices from the group than decide which ones to nix).

We didn’t keep any sort of color scheme in mind (there’s every color in the rainbow going on) but we did seem to subconsciously choose photos that looked more like a moment in time than a posed everyone-stare-at-the-camera shot. I think maybe we knew that a whole lot of eyeballs staring out at us might feel strange. So most of them feature people looking down, at each other, off to the side, etc. There are only a few with eyes that actually looked at the lens, like the Teddy beach shot in the top left corner.

It wasn’t until we had everything hung that we realized a few other commonalities emerged. We stepped back and laughed about “all that water.” Turns out around a third of them feature us on the beach or in some other form of water (the lake, a pool, etc). It’s probably because a lot of our favorite photos were from trips we took. We actually counted six different states being represented in our photos (from Alaska and Hawaii to Florida and Delaware). Another funny realization was that three of the photos in our gallery were taken on the very bed that they now sit above. So we’re apparently a family who likes to travel… or stay in bed.

After we were all done hanging and framing everything, our formerly nondescript bedroom wall had sort of morphed into a photographic celebration of our family, which has been pretty awesome as the first and last thing we look at every day. In fact, as much as we loved the frame hallway in our last house (we didn’t think we’d ever love a frame arrangement more), our new family-gallery is right up there with it.

Oh, and even though it looks like those pictures behind the lamp are impossible to see, they’re actually some of the ones we see the most from bed and/or when we walk into the room. It’s all about the angle y’all.

We hope our new family wall will encourage us to keep breaking out the camera and documenting family moments. Heck, it doesn’t even have to be the nice camera. We realized almost half of the pictures up here were from our iPhones or our old point-and-shoot.

Clara was napping when we finished hanging everything, so we stole the opportunity to give Teddy and Burger some brother time in front of the camera. And knowing our penchant for framing the photos taken on this bed, there’s a chance this shot could end up on the wall at some point. So meta, I know.

We can’t really picture the “before” of this room in our heads anymore without pulling up the actual before photos…

… but we’re certainly grateful for how far it has come. It’s looking a little busy to us right now, but we think a few other to-do list items should hopefully fix that. We’d like a better bench at the end of the bed and a proper set of end tables so we can use the dresser on another wall. We also still have to finish the curtains, need an overhead light, etc. Slowly, slowly.

Anyone else doing bedroom updates? Or hanging a collection of family frames? Have you noticed any subconscious themes afterwards, like a love of water, travel, or being in bed? What about eyeballs? Are they all staring out at you? Do they follow your every move, Mona-Lisa style?

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